Representation of Class: Merlin

Monday, 23 April 2012 at 01:53

In the extract from the episode of Merlin class is represented through the various aspects of the mise en scene, camerawork, sound and editing. In this scene we see the protagonist Merlin sneak into a woman’s bedroom to find something. He is caught in the act though by the woman and leaves promptly. He is then seen walking through the streets of Camelot when he comes into contact with Arthur, the prince and future king. He teases Merlin and provokes him, which leads to a fray between the two. During this we discover that Merlin has magical powers which he uses to his advantage and almost wins. However he is distracted by his fried Giaus and is defeated. Finally the scene ends with Merlin being scalded by Giaus for using magic in public and Merlin becomes upset, feeling worthless and unimportant.

In the opening shot the mise en scene instantly tells the audience a lot about Merlin and his status in class. We can see a long shot of a large landing that contains stained glass windows and grand arches, immediately giving the impression that this building is a castle or similar place of importance. The clothing however that is worn by Merlin and another person that walks past him (who appears to be carrying a candle stand) does not match up with their surroundings; they are wearing rags, and the colours are dull. This suggests that they are both servants or that they do not belong in the castle, as the clothing usually worn by residents are vibrant and made of high quality material. This is emphasised when the scene cuts to the next sequence of shots that show Merlin looking around the room. Whilst the furnishings are luxurious and plentiful, he just doesn’t fit in with the clothes that he wears (which can now be seen more clearly). Another way in which class is represented in this scene is when the woman discovers Merlin and asks him what he is doing in her bedroom. She looks down on him through her cold expression whilst he stands there, uncomfortably shuffling and flicking his eyes around the room. This shows that she is intimidating to him as she is of a higher class, conforming to the stereotypical view of the higher classes. Namely, that the power they possess is generally respected by the lower classes, and thus is normally exploited by them to command others. In a similar way to this, the next scene in which Merlin walks through the streets of Camelot shows how class is a defining characteristic of how people act towards others and the manner in which they behave. Many peasants can be seen hard at work, selling products from their market stalls, sweeping the street and chopping wood for fires. You can tell they are of a lower class though when you compare them to the knights that can be seen walking through the street. Their clothing entails armour, a weapon and a large cape embellished with a yellow dragon. This has a prestigious feel when you see it next to the brown leather of the common peasants or the beige rags of the beggars. Also, the expressions on their faces vary. The peasants look generally unhappy and tired, whereas the knights look proud and walk with their heads held high. When Merlin challenges Arthur to a fight we can see more of the surroundings as they move through the streets and into the market. The area looks generally dirty and worn out, emphasising the fact that this is a very poor district. Arthur, as prince and therefore carrying a lot of political power, doesn’t care much for this though, as he shamelessly smashes into stalls, wrecking the livelihoods of those they belong to without hesitation. Merlin however tries to be more careful and dodges obstacles as best he can. This conveys another stereotype about upper class people in that they do not care much for those around them, but only for what they want. They are therefore often irresponsible and, as they have more money than sense, do not worry about the cost of breaking things as it will not impact much on their lives.

Camerawork in the extract is also crucial in representing the class of the characters in the scenes. The first shot, which is a long shot, pans across the scene from a fixed point to follow Merlin as he enters the bedroom. The way in which this is set up gives the impression that it is being taken from the point of view of a person. They might be watching Merlin from afar as they could be suspicious of him due to his ‘misplaced’ appearance or the fact that he doesn’t belong in the castle as he is a peasant. When Merlin first looks in the room the shot cuts to another panning movement where the camera shows the contents of the room. A vignette filter is used to darken the corners of the shot slightly to add realism and ‘gloom’ to the shot, making the audience suspicious of Merlin and what his intentions are. This seems to be made clear though when we are shown a close-up of him placing a pot of yellow liquid on the desk. This shot is composed so that the pot is in the centre of the scene, making you focus on it. Also it is set up so that you can see Merlin place it on the table. This represents class in the fact that it gives context to the scene; it looks as if he has been sent to deliver this jar to the woman, meaning that, as he is being ordered to do this, we can see he is of a lower class as there are others who have power over him. As the scene continues the shots are generally taken at close range so that the audience can easily see what he is up to. There is also an over-the-shoulder shot of him when he looks back to check if no-one is there. This odd behaviour that has been shown indicates that Merlin is obviously up to no good, which links to the idea that in society today, stereotypically, working class people are more likely to commit crimes than those of higher classes, such as theft and vandalism due to the fact that they cannot afford as much as those of greater status.  What Merlin is up to is not made clear; however it is unusual all the same. Later when he is walking through the streets there is a long take filmed from a mid-distance with an even focus. This is done to allow the audience to take in the action around Merlin, ensuring that they notice the fact it is a poorer area of the kingdom. It is the fight scene however that is the most significant in representing the class of the characters. The scene was filmed with handheld cameras which give the shots a sense of realism. Taking into account the mise en scene (there is a large crowd of spectators behind Arthur and Merlin) the shot appears to have been composed as if it was the point of view of one of the spectators; the camera follows the characters intently and weaves between them as they battle it out.

Throughout the extract the use of sound varies to suit the composition of the scene. When Merlin is in the castle an eerie soundtrack can be heard, adding atmosphere to the scene. This naturally makes the audience feel uneasy, making them curious about what is going to happen next. When the camera cuts from Merlin to the woman walking down the hallway though the track shifts slightly and a choir can be heard. This represents class as it makes the woman seem as if she is an important figure. Perhaps she is of royal status, as choirs are generally seen singing when royalty is present. Her footsteps can also be heard sounding loudly as she walks, increasing the attention that she draws. The tone of her voice when compared to Merlin’s also conveys class. When she says “What are you doing in here?” to Merlin she sounds authoritative and formal, whereas Merlin replies in stutters and utterances. As I mentioned earlier, this shows how her status intimidates him and makes him feel weaker, meaning that he hesitates as he talks. This could however also be down to the fact that he had been caught ‘snooping’. The most prominent scene with regards to sound representing class is when he comes into contact with Arthur, there is a lot of non-diegetic sound that can be heard in the background. People can be heard shouting from market stalls, goats call out and labourers hammer away at wood and iron. This shows how  there is a major difference in class between the inside of the castle and the peasants’ market; it is peaceful in the castle as there are not many people and it is a large area (this is more noticeable when Merlin walks down the stairs and out into the courtyard where there are hardly people at all). But in the market there are many in a rather cramped space, showing that they are poorer as they own significantly less land and are thus congregated in one small street.

The editing that is used to construct the extract represents class subtly by exploiting the narrative time and length of shots to put emphasis on the importance of characters. An example of this is when Merlin searches through the desk in the woman’s bedroom; the shots cut frequently in quick succession, showing action and desperation in Merlin. But when the scene cuts to the woman walking down the corridor, the take is significantly long, and allows the audience to focus entirely on her. This difference in length of shots could represent class in such a way that it makes her seem much more important than Merlin, as she is given more camera time (and therefore more attention) than he is, and this could be down to the fact that she is of higher status. Another example of this is when Merlin exchanges insults with Arthur. Interestingly though this focus changes as the conversation goes on. At first the camera is more focused on Arthur, showing how he is an important figure in their society. But when Merlin begins to retaliate he is given more attention as it starts to seem as if he has the upper hand, teasing Arthur back as he did to Merlin initially. This therefore goes against the social view that upper classes have more importance as in this case the focus is placed on Merlin; he is made to seem more significant, yet he is part of the lowest class and thus should be considered as obsolete.

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